John Smith Movies

16mm experimental film of a desk fan.

At Stamford Road in Dalston Junction of east London, the camera follows pedestrians, cars and birds while a narrator, who appears to be the director...

Blue Bathroom is a distillation of ideas concerning the tension between representation and materiality. It begins with an apparently straightforward...

7P is constructed around the carol The Twelve Days of Christmas and incorporates similar picture and sound fragments recorded over the Christmas...

Many of my films involve humour, but unlike the earlier work Shepherd’s Delight attempts to confront the problem of humour head-on, referring...

The discovery of a VHS tape of the artist's films on eBay triggers obsessive speculation about the seller's identity.

As the camera looks out through a barred window and the clock strikes four in a Swiss city, the death of Yasser Arafat provides the starting point...

A personal interpretation of the poetry and letters of T S Eliot which explores the ambiguities of language and space in a scenario built around an...

The filmmaker returns to the city where he made the first video in the series [Frozen War] and looks back at the events of the past six years.

“If anyone slaps you on the right cheek, turn to them the other cheek also.” Matthew 5:38-40

THE CAMERA, THE ACTOR was commissioned by musician Charles Hayward to accompany the song of the same name on his album entitled (Begin Anywhere).

Recorded from a smartphone screen, its translation app running on the wrong settings and struggling to interpret North London street signs in French...

Artist John Smith tells stories about tower block life, editing in bold, unconventional fashion, cutting into the material and highlighting the...

Filmmaker John Smith revisits the original locations of his seminal experimental film The Girl Chewing Gum (1976) after 35 years, using...

An exploration of the ambiguities of documentary photographs which develops ideas triggered by a German pun. Worst Case Scenario starts out as a...

On the 23rd of June 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted...

Home Suite, Smith’s first video work, is a close-up journey through a domestic landscape and a journey through memory, containing only three...

A reworking of material from the 16mm film ‘Blue Bathroom’, a distillation of ideas concerning the tension between representation and...

Abstract animation punctuated by found footage, cut to the song White Light / White Heat by The Velvet Underground.

Celestial Navigation could be seen to work in the tradition of British landscape film in that it incorporates a natural element (the Earths rotation)...