Malcolm Le Grice Movies
- 1967

Little Dog for Roger
Little Dog for Roger81967HD
A nostalgic exploration, comprising fragments of reworked 9.5mm home movie footage. The deterioration of the original film, like memories,...
![Little Dog for Roger]()
- 1973

Gross Fog
Gross Fog01973HD
Loops. "A four screen film projection onto four vertically placed screens, which span the gallery space from floor to ceiling. The wall surface is...
![Gross Fog]()
- 1972

Love Story 3
Love Story 301972HD
A person walks backwards and forwards across two white screens casting a shadow, later his actual shadow is joined by pre-filmed shadows performing...
![Love Story 3]()
- 1972

Threshold
Threshold6.31972HD
Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the...
![Threshold]()
- 1977

Academic Still Life (Cézanne)
Academic Still Life (Cézanne)01977HD
As the title indicates this is a deliberately academic work, conceived in much the same way that a composer might make a 'study'. It is not about a...
![Academic Still Life (Cézanne)]()
- 2019

Dark Trees
Dark Trees02019HD
Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates...
![Dark Trees]()
- 2003

Travelling with Mark
Travelling with Mark02003HD
A digital manipulation exploiting the transcoding ‘mosaic’ of video shot on a train journey from Berlin to southern Germany with Mark...
![Travelling with Mark]()
- 1965

China Tea
China Tea01965HD
Shot with two 8mm cameras then projected side by side accompanied by an audio tape of "prepared piano".
![China Tea]()
- 1969

Spot the Microdot
Spot the Microdot61969HD
This film was made by punching circular holes into fully opaque film stock and laying discs of colour film into some of the punched holes. Only the...
![Spot the Microdot]()
- 1984

Digital Still Life
Digital Still Life01984HD
Digital Still Life was originally made for projection directly from an Atari computer. The same computer programme defines the image sequence, the...
![Digital Still Life]()
- 2013

Jonas
Jonas12013HD
An impromptu portrait of Jonas Mekas shot at the Serpentine Gallery, London on the occasion of a celebration of his 90th birthday. All made in a...
![Jonas]()
- 1993

Abstract Cinema
Abstract Cinema91993HD
Several well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their...
![Abstract Cinema]()
- 1994

Balcony Water Colour
Balcony Water Colour01994HD
Colour - Water –Rain – not a water colour – bougainvillea in extreme close-up – touching the lens – swimming pool below...
![Balcony Water Colour]()
- 1972

Whitchurch Down (Duration)
Whitchurch Down (Duration)01972HD
This film is the beginning of an examination of the perceptual and conceptual structures which can be dealt with using pure colour sequences in loop...
![Whitchurch Down (Duration)]()
- 2001

Neither Here Nor There
Neither Here Nor There02001HD
Osama Bin Laden – Britain and the USA in Iraq as through television reportage – camera only inches from the screen
![Neither Here Nor There]()
- 1971

Your Lips 3
Your Lips 301971HD
A re-worked version of Your Lips 1 with multiple colour superimpositions. Originally shown with a soundtrack from computer artist Alan Sutcliffe but...
![Your Lips 3]()
- 1973

Four Wall Duration
Four Wall Duration01973HD
Four simple changing colour loops are projected continuously into the corners of a gallery space - a form of site specific film sculpture. film-loop...
![Four Wall Duration]()
- 1972

Blue Field Duration
Blue Field Duration01972HD
"This is a two screen film where a full frame colour field slowly changes from blue to towards green over a period of about six minutes. The film has...
![Blue Field Duration]()
- 1983

Finnegan's Chin
Finnegan's Chin81983HD
Directed by Malcolm le Grice.
![Finnegan's Chin]()
- 1973

White Field Duration
White Field Duration01973HD
A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.
![White Field Duration]()
















