Ute Aurand Movies

Two memories from a longer visit to New England in Autumn 2012: a group of elderly ladies playing bridge followed by the stormy ocean at Cape Cod in...

Throughout her work, Aurand frequently makes her camera and her images felt as an active, moving body—spinning, rushing, departing, returning,...

Ute Aurand films Maria Lang in her daily activity as she cares for her mother. The presence of the filmmaker is visible in the camera movements and...

A small cinematic poem from subjective street scenes, mirrored faces, and the city passing by, as well as naked female bodies underwater, creating an...

"Toying with string" is painting transformed into film. Color, threads, stones, various natural elements give birth to images constantly changing in...

A film structured around Detel Aurand and Jon Sigurgeiersson.

2 minute film about two Japanese ladies.

A triptych of three short silent films. A Walk through the winter of Engadin and Bergell, scenes in the park of the Rietberg Museum in Zurich with...

Beavers revisits locations in Berlin first filmed in Diminished Frame (1970), alongside sites in Massachusetts, to reflect on how lived places shape...

"India" developed out of my three journeys to Pune in 2001, 2002 and 2004. I arrived in a forgein country, and felt surprisingly familiar in the...

A film about my friend Maria Lang. The light falls on a few details, chance selections, out of which a place is composed, the place where Maria lives...

A walk, a moment at the beach... And the Japanese filmmaker Utako Koguchi behind the heard piano.

Paulina Buda is my godchild, and I have filmed her since she was very young. Paulina is now 15 years old. Franz von Lucke is my godchild, and I have...

Ute Aurand’s Hanging upside down in the Branches is a gentle, generous and unsparing portrait of the filmmaker’s parents, whose passing...

"Glimpses of my life. Friends, snow, two tulips, skaters on the frozen lake of my childhood, balloons in the morning sun, my godchild Paulina running...

The two 11year old friends, Franz and Pablo, run with angel-wings, stand under giant leaves and improvise on their trompet and piano.

Paul Celan reads Paul Celan. The words which we hear are seen on the screen - the optical sound negative became the visible image.

Filmed every day during the final four weeks of the Berlin Film Museum’s construction.